"The Abandons Review: A Feminist Perspective on Revenge in the Western Genre"

In todays era, viewers are inundated with high-quality Westerns, with creators like Taylor Sheridan turning the genre into a modern phenomenon. The Abandons emerges as a gripping new addition, centered on the power struggle between two prominent families in 19th century rural Oregon.

Anchored by standout performances from Gillian Anderson and Lena Headey, who both embrace the rugged intensity of the Western style, the series evokes comparisons to Deadwood thanks to its richly drawn supporting cast, adding depth and emotional resonance to the story. Netflix may have discovered a compelling hit, one that could captivate audiences long enough for them to form strong attachments to its characters.

The Van Ness family dominates the growing Oregon settlement, led by matriarch Constance Van Ness (Anderson). Her rule over her children and the town is unyielding, but she is also answerable to influential investors like Cornelius Vanderbilt, who have funded her mining ventures. Tension escalates when the determined Fiona (Headey) and her group of orphans refuse to sell a lucrative piece of land to Constance. The rivalry intensifies as their children become entangled in the conflict, escalating the feud into a battle over principle rather than property.

From the outset, it is evident that Anderson and Headey dominate the narrative. Their characters embody both strength and vulnerability, showing love and loyalty in ways that simultaneously reveal their flaws. As impulsive and methodical counterparts, they navigate a chaotic world with control as their driving motive, making their morally complex actions understandable and at times, sympathetic.

While Constance and Fiona are at the forefront, the series boasts a layered ensemble that keeps the story dynamic. The Van Ness siblings Lucas Till and Toby Hemingway vie for their mothers approval, while their sister Trish (Aisling Franciosi) judges their choices with a critical eye. Fionas adopted family provides additional intrigue, including the siblings she cared for (Nick Robinson and Diana Silvers) and Black and Indigenous children (Lamar Johnson and Natalia del Riego) she took in during their westward journey. Each of them now challenges Fionas often controlling guidance, creating complex interpersonal dynamics.

Neighbors and business associates also have their moments, contributing to the lively tapestry of the town without derailing the central narrative. Despite the large cast, the story remains focused on the escalating feud between the two families, exploring the strategic moves both women make to assert dominance. Constance wields wealth and influence, while Fiona relies on her resourcefulness and unyielding protection of her land and children. The balance of power shifts constantly, keeping viewers on edge.

The Abandons proves itself a worthy contender in the contemporary Western landscape, capable of matching the intensity of series like the Yellowstone universe. Though the first season is brief, the story hints at a rich potential for long-term development. With Gillian Anderson and Lena Headey at the helm, audiences can anticipate a series filled with tension, drama, and unforgettable performances.

The show premieres on Netflix on December 4.

Author: Riley Thompson