The Real Story Behind 'Fugue State 1986'

Jos Restrepo as Camilo in Estado de Fuga Credit - Courtesy of Netflix

On December 4, 1986, Colombia experienced one of its most devastating mass murders. In a matter of hours, former Vietnam War soldier Campo Elas Delgado killed his mother, several neighbors, and multiple patrons at the Italian restaurant Pozzetto, transforming an ordinary night in Bogots Chapinero district into a scene of terror.

Netflixs limited series Fugue State 1986 (Estado de fuga 1986), released 39 years after the tragedy, revisits these events through a blend of historical fact and fiction. Rather than following a strict chronology of Delgados actions, the show centers on the complex friendship between Jeremas Salgado (Andrs Parra), a character based on Delgado, and literature student Camilo Len (Jos Restrepo), who becomes a witness to the events leading up to the killings. Carolina Gmez portrays Indira Quincha, an investigator determined to uncover the motives behind the crimes.

Written by Ana Mara Parra with guidance from Colombian author Mario Mendoza, who personally knew Delgado, and directed by Carlos Moreno and Claudia Pedraza, the series is grounded in two truths: the massacre itself and Delgados time as a student at a Bogot university prior to the killings. Everything else in the narrative is fictional. We chose not to tell the story from the killers perspective, but through someone who knew him: Len, says Parra. From that relationship, Lenand the audiencegrapples with the question: why does someone commit such an atrocity?

The Events of December 4, 1986

The killing began in the morning when Delgado visited a 15-year-old student he tutored in English, shooting her and her mother without warning. He then returned home, murdered his mother, and set her body ablaze using alcohol and newspapers. When neighbors came to check on the smoke-filled hallway, six of them were shot.

Later that day, Delgado entered Pozzetto restaurant carrying a briefcase full of ammunition. Calmly dining at table 20, he eventually drew his revolver and opened fire on the diners. Panic ensued as people hid under tables. Delgado died during the incident, though it remains unclear whether he was killed by police or took his own life. In total, 29 people were killed.

The Netflix series notes: On December 4, 1986, Campo Elas Delgado, a Vietnam War veteran and language student, killed 29 people, including his mother, in Bogot, Colombia. To this day, his body is missing, and many documents related to the case are lost or inaccessible.

Campo Elas Delgados Background

Born in Durania in 1934 to Rita Elisa Morales, Delgado was haunted by his fathers suicide and reportedly blamed his mother for the tragedy. He later served in the Vietnam War as part of the U.S. Army. At 52, he committed the killings after years of trauma, isolation, and a search for belonging. Delgado also attended Pontificia Universidad Javeriana, where he met Mario Mendoza, who later helped shape the series.

Mendoza emphasizes that the series preserves Delgados profound loneliness and psychological scars. As a soldier in one of historys cruelest wars, many veterans struggled to reintegrate into society. Delgados desire to belong is reflected in Jeremas Salgados character, Mendoza explains.

Fact vs. Fiction

While the series depicts Delgados final 24 hours, much of the story explores imagined months leading up to the massacre. Parra explains: It fictionalizes the four months prior, revealing Jeremas life and his relationship with Len. In reality, Delgado studied at the same university as Parra and Mendoza, which inspired their portrayal of the friendship between the killer and a young literature student.

This narrative choice allows the series to explore human motives and relationships in depth while remaining anchored in historical truth.

Historical and Social Context

The series situates the massacre within the turbulent Bogot of the 1980s. Political unrest, widespread violence, and social instability shaped the characters lives. Mendoza notes, The 80s atmosphere permeates the seriesit influences the characters sense of hopelessness and the cycle of violence they witness daily.

He also highlights the concept of Amok Syndrome, describing how societal pressures and mistreatment can push individuals toward extreme acts. Colombia continues to grapple with inherited cycles of violence. The series encourages reflection on these generational traumas, Mendoza adds.

Author: Ethan Caldwell