'It all begins with the face': Assembling the ensemble cast of "Marty Supreme", featuring professionals and newcomers.

One of the standout features of Marty Supreme, Josh Safdies high-energy, globe-trotting homage to ping-pong and relentless ambition, is its remarkable ensemble of faces. Beyond stars Timothe Chalamet and Gwyneth Paltrow, the film boasts a diverse supporting cast that includes Abel Ferrara, Fran Drescher, Penn Jillette, Isaac Mizrahi, and travel writer Pico Iyer.

Casting director Jennifer Venditti, known for Euphoria and Uncut Gems, shared insights into her casting approach.

Choosing Faces That Tell a Story

Entertainment Weekly: The film vividly captures 1950s New Yorks Lower East Side. How important is the look of the cast?

Jennifer Venditti: It always begins with the face. Josh and I share a similar visionwe seek real-life cinema. Im drawn to faces that radiate vitality, regardless of age. Its in the eyes, the skin, the overall energyit pulls you in. Since this is a period piece, we also had to avoid modern cosmetic interventions, from hair to teeth, to maintain authenticity.

Casting on a Large Scale

Venditti explained that the projects scale set it apart. With over 150 speaking roles, the team scouted on the streets, held open calls, and reviewed audition tapes. Once candidates were found, they underwent multiple testing phases to ensure they could deliver on-screen.

Memorable Casting Stories

For the bowling hall sequence, Isaac Simon, originally considered for another project, turned out to be excellent at ping-pong. Levon Hawke and Isaac improvised around a table in Vendittis office, producing naturally cinematic moments.

Luke Manley, discovered on Instagram, impressed with his natural charm, while iconic designer Isaac Mizrahi immediately fit the films aesthetic, bringing a timeless quality that resonated with Safdies vision.

Odessa Azion, previously auditioned for another project, brought raw intensity and scrappiness, while Tyler, known as Tyler, the Creator, contributed versatility perfect for the period setting. Even non-actors, like two men in a Central Park scene, added unpredictability and life experience that enhanced the performances.

Off-Type Casting

Pico Iyer, a celebrated writer and public speaker, had no acting experience but played the intimidating head of the International Table Tennis Association. Venditti noted that his calm, elegant demeanor could convey more menace than shouting.

Working With Everyone Equally

Venditti and Safdie emphasized treating all performersprofessionals and newcomers alikewith the same attention and excitement. Safdies coaching on set complemented Vendittis preparation work, ensuring each actor, regardless of role size, delivered authentic and compelling performances.

Author: Aiden Foster