BBC Studios Productions Chief Hopes to Recreate ‘Dancing With The Stars’ TikTok & YouTube Triumph Across Other Programs

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BBC Studios Productions Chief Hopes to Recreate ‘Dancing With The Stars’ TikTok & YouTube Triumph Across Other Programs

The latest season of Dancing with the Stars captured a fresh, younger audience, largely fueled by engagement on TikTok and YouTube. Zai Bennett, head of BBC Studios Productions, is exploring how other programs can replicate this success.

We need to consider how we work with the creator economy, Bennett explained at Content London. How can our existing formats evolve?

Custom content designed specifically for TikTok and YouTube, combined with the inclusion of popular social media personalities, played a major role in drawing large audiences. The UK adaptation of the show, Strictly Come Dancing, recently concluded with record-breaking viewership, achieving the highest youth share since the finale of Friends two decades ago.

Our format is ideal for platforms like TikTok, said executive producer Conrad Green earlier this month. Bennett noted that while BBC Studios may lack some of the specialized skills for digital-first content, the organization operates 90 YouTube channels. Our traditional production teams cant simply switch to YouTube-style content, he added. But theres significant potential for experimentation.

Since taking the role over a year ago, Bennett has driven multiple structural initiatives. He announced a new factual entertainment development label led by UK producer Fernando de Jesus. Meanwhile, the indie production company Rebel Rebel has left to partner with Sony, rebranding as Rebel Minds Media.

Bennett emphasized his interest in investing in smaller independent studios, provided BBC Studios can take creative bets and achieve returns. He explained, We want a balance of risk and reward. Its not just about funding mid-tier dramas that offer minimal margins.

During the session, Bennett also mentioned that executives from CIISA, the UKs newly established anti-bullying organization for TV and film, visited several of BBC Studios sets, including the long-running childrens program Blue Peter. They expressed their support for our efforts, he said, one year after Strictly faced a misconduct scandal leading to the departure of two professional dancers. The industry expects us to set high standards and ensure a safe, positive environment for freelancers.

The BBC continues to fund CIISA, which is still in its early stages. Reports indicate that major players such as Channel 4, Disney, and Amazon have not yet contributed annual fees to support the organization.

Author: Sophia Brooks

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