How Alex Somers crafted the heartfelt, not overly sentimental 'Rental Family' soundtrack

For the film Rental Family, musician and composer Alex Somers, known for his work on Nickel Boys and Causeway, eagerly embraced the chance to create a distinctive and emotionally resonant soundtrack alongside Jnsi. Somers felt a deep connection not only to the poignant story but also to co-writer and director Hikari and her artistic vision. "She's a friend," Somers said. "Weve been spending a lot of time together recently, and her personality brings so much color and perspective to the story."

In an interview, Somers shared how he and Jnsi deliberately avoided crafting a saccharine musical backdrop. Instead, they explored unusual instruments and textures, ensuring the score remained warm and genuine. He emphasized the importance of understanding the directors perspective and the characters' journeys to inform the musical approach.

Collaboration with Hikari and Jnsi

Somers explained that he first connected with Hikari through a call from their agent, who introduced them to the project after a rough cut was available. The duo reviewed the film, took notes, and later hosted Hikari at Somers studio, where they experimented with sounds and instruments to reflect the emotional arc of Brendan Frasers character, Philip. The collaboration was immediate and enthusiastic. "She gave us a big hug and said, 'When can we start? You guys are cool, let's make some music,' recalled Somers.

Jnsi, the Sigur Rs member known for his artistic versatility, contributed to the score, blending his experimental approach with Somers cinematic sensibilities. Together, they crafted music that complemented the films emotional depth without becoming overly sentimental.

Innovative Sound Choices

To avoid a conventional, overly sweet score, Somers and Jnsi focused on unusual instruments. One key element was the Optigan, a rare 1970s sampler keyboard produced by Mattel. "It has this worn, crusty sound," Somers said. "Even a single note has attitudeits slightly punk." The composers also used a micro-cassette machine to add a warbled, textured effect, deliberately keeping the music rough around the edges.

Hikari also contributed vocally. Drawing on her experience in childhood choirs in Japan, she performed alongside Somers and Jnsi for a scene featuring a funeral choir. Using only the three of them and multiple takes, they created the impression of a 48-voice ensemble, adding intimacy and warmth rather than polished perfection.

Experiencing the Final Score

Watching the completed film, Somers felt satisfied with the outcome. "We worked fast and instinctually, and the dynamic between the three of us was playful and fun," he said. He appreciated that the score captured the intended emotions without feeling overworked, leaving a subtle, genuine imprint on the film.

The Rental Family soundtrack stands out as a delicate balance of experimental sound and heartfelt storytelling, reflecting the composers commitment to creating music that supports the narrative without ever becoming overly sentimental.

Author: Noah Whitman