The 12 Most Disappointing Movie Scenes of 2025

The year 2025 in cinema was a mix of brilliance and missteps. While international hits and visionary directors like Jafar Panahi, Eva Victor, Ryan Coogler, Park Chan-wook, and Dea Kulumbegashvili delivered remarkable artistry, the year also produced films plagued by poor choices. Alongside unforgettable performances came moments of sheer cinematic frustrationscenes so poorly executed they will linger in memory for all the wrong reasons.

The Awkward Flashback in Love Hurts

In Love Hurts, the backstory of Marvin (Ke Huy Quan) and Rose (Ariana DeBose) is revealed via a flashback where Marvin spares Rose during his assassin days. Unfortunately, this sequence appears halfway through the film, rather than at the beginning, disrupting narrative flow. Poor staging, uneven dialogue, and awkward editing make what should have been a gripping revelation feel clumsy and unengaging.

Sam Wilsons Misstep in Captain America: Brave New World

After visiting his injured ally, Sam Wilson (Anthony Mackie) encounters the villain Samuel Sterns (Tim Blake Nelson). Intended as an expository scene about Red Hulk, the execution is laughably poor: Sterns is awkwardly green-screened, and the two actors never appear together on camera. Instead of tension, the scene delivers visible incompetence, undermining the films climax.

Resurrection Gone Wrong in Death of a Unicorn

Alex Scharfmans satirical horror Death of a Unicorn turns chaotic when Elliot (Paul Rudd) is brought back to life by magical unicorns. This deus ex machina undermines the dark humor of the story, replacing unpredictability with bland sentimentality. The films critique of the elite is dulled by a conventional narrative turn.

Gal Gadots Musical Misfire in Snow White

The 2025 adaptation of Snow White gives the Evil Queen (Gal Gadot) a villain song, All Is Fair. Despite a promising premise, the song is poorly filmed, the lyrics uninspired, and Gadots performance flat and lifeless. A brief rap section compounds the failure, making it one of the most awkward musical moments of the year.

Duncans Impossible Survival in Jurassic World Rebirth

In Jurassic World Rebirth, Duncan (Mahershala Ali) seemingly sacrifices himself to distract a D-Rex, only to inexplicably reappear minutes later unharmed. This undercuts tension and highlights sloppy plotting, leaving audiences baffled rather than thrilled.

Podcast Dialogue in A House of Dynamite

Idris Elbas unnamed POTUS sits on a plane contemplating nuclear disaster while discussing a podcast. The line, I listened to this podcast, is clunky and fails to reveal character or advance the plot, making this tense scenario feel awkward and trivialized.

Mid-Credit Nonsense in Ballad of a Small Player

Edward Bergers gambling drama Ballad of a Small Player delivers a bleak story, but its mid-credit dance scene between Brendan Reilly (Colin Farrell) and Cynthia Blithe (Tilda Swinton) ruins the grim tone. Its an unnecessary, upbeat add-on that diminishes the movies impact.

Ares Car Ride in Tron: Ares

Jared Letos Ares struggles to navigate the real world and develops a sudden fondness for Depeche Mode. The scene is tedious, featuring clunky exposition and lifeless performances, turning what could have been engaging into an eye-roll-worthy distraction.

The Overstuffed Opening of The Home

In James DeMonacos horror film The Home, the prologue attempts to summarize Maxs (Pete Davidson) troubled upbringing and adult life. The heavy-handed editing and uncertain portrayal of Maxs morality make the opening feel both awkward and tepid.

Fatherly Missteps in Wolf Man

Christopher Abbotts Blake informs his wife Charlotte (Julia Garner) of his fathers death in a scene meant to convey emotional weight. Poor dialogue and uninspired close-ups render the moment flat, weakening what should have been a poignant familial revelation.

Woeful Woods Dialogue in Oh, Hi!

Sophie Brooks dark comedy Oh, Hi! ends with Iris (Molly Gordon) and Isaac (Logan Lerman) discussing their issues in a forest. Despite an intriguing setup, the conclusion feels dull and didactic, wasting the storys potential and delivering uninspired dialogue.

Underwhelming Finale in Him

The horror film Him concludes with Cameron Cam Cade (Tyriq Withers) confronting those manipulating his life. Director Justin Tipping keeps the violence mostly off-screen, depriving the finale of its intended cathartic impact and leaving audiences unsatisfied.

Author: Riley Thompson